Review: PEOPLE, PLACES & THINGS, Trafalgar Theatre
It’s nearly a decade since Denise Gough set the stage alight in Duncan MacMillan’s starkly raw study of addiction. She now reprises her Olivier and Critics' Circle Theatre Award-winning role as Emma for this harrowing and completely absorbing new production of People, Places & Things.
Review: MINORITY REPORT, Lyric Hammersmith
It ought to echo with eerie prescience in 2024 as an ever-closer prophecy for an age where AI and algorithms will dictate the minutiae of our lives. But David Haig's new stage adaption is more like a cyberpunk-themed orgy at Printworks.
28 YEARS LATER Casts Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes
Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes are all in talks to star in the 28 Years Later, which serves as a sequel to the 2002 Boyle horror flick. Boyle is returning to direct, which features a script by Alex Garland who also penned the original. At this time, it is unknown who the three actors will play in the film, which is said to be the first of a new trilogy.
CABARET Star Eddie Redmayne to Appear on GOOD MORNING AMERICA Next Week
Tune in to see Eddie Redmayne on Good Morning America next week! On Thursday April 25, the Cabaret star will be on GMA to talk the new production, which is currently in previews. In Cabaret, he plays 'The Emcee', a role played by Joel Grey in the 1966 and 1987 Broadway productions. At this time, it is unknown if he will be performing a number from the show.
THE OFFICE Cast- From Screen to Stage
Steve Carell is making his Broadway debut in Anton Chekhov’s UNCLE VANYA. Did you know many other The Office stars have appeared on stage as well? Take a look back on the theatrical history of the cast of The Office!
Review: THE GLASS MENAGERIE, Rose Theatre
As delicate and fragile as one of the glass creatures that are collected, Tennesse Williams' beguiling story of memory, The Glass Menagerie combines themes of hope, rejection, disappointment and profound sadness.
Review: MACBETH at Shakespeare Theatre Company
STC’s Macbeth highlights brutal pairs: war and domestic life, grief and humor, brief words and permanent consequences. While the setting could feel unassuming—indeed, audiences must make their way through the parking lot of a Home Depot when arriving via metro—it also shows how extravagant it is to create a theatre space from scratch. This over-the-top, hollowed-out aesthetic fits the world of the play, where titles and status belie a fear of impermanence. Combined with raw, vulnerable performances, this is a powerful take on the timeless tragedy.
Review: THE COMEUPPANCE, Almeida Theatre
Welcome to a high school reunion with a difference: this one has an uninvited (but secret) guest. In Branden Jacobs-Jenkins’ latest play, a group of friends collectively known as “MERGE” have gathered for a pre-reunion meet-up; Ursula, Emilio, Caitlin, Kristina and Paco haven’t all been in the same place together for quite a few years, so there’s lots to share - and plenty of old grievances to be aired.